Canandaigua, NY. I’ve selected this picture for the blog in the past. It’s a favorite because it represents one moment when we were all so completely happy with the Irish dance experience. Previous Thanksgiving sojourns to Philadelphia had been pretty disappointing. When you don’t get what you want, experience is what you get. However, when you do get what you want, what you are, is HAPPY, and that’s what I see when I look at this picture.
As our run in competitive Irish dance has now come to an end, I figure, let us look back upon it with our fondest memories up most in mind. The 2012 Mid-Atlantic Oireachtas and Renee’s come-from-nowhere podium finish kind of started it all for the feisfunder blog, and so I think it’s fitting that it end feisfunder’s somewhat late-to-the-game run. A nod to Renee as she is endlessly inspired by her own accomplishments, and hers was the inspiration that kept us all going through four North American Nationals and three World Championships, all the way to a humble, but inspiring retirement from competition at the Bob Gabor Feis in Syracuse, NY.
It’s a little difficult to characterize our entire Irish dance experience in a few hundred words, when I finally have Renee’s entire competitive career to look back on, although it was just a scant 12 years. In that time a dream came to life before my very eyes. Not my dream mind you, but Renee’s. Her vision, focus and dedication have produced a future for her and our little family that eclipses any personal prize I could ever imagine short of Herbie Hancock asking me to join his band.
From the experience I got I can tell you that what you need as you hustle from feis to feis is fuel. You need fuel, and inspiration is that fuel. I know not from whence it comes, but I see it in the determination of the young people pursuing the glory that comes from perfecting a primal cultural expression – dance. And when it’s true to form and performed majestically with pride, any culture’s dance is its identity and forms the nervous system of a people who, while unrelated are still related.
True cultural expression is welcome around the world because people are naturally interested in and want friendship with their kinsman and neighbors in the world. Music, dance and art in their classic representations accomplish this for all of humanity. I mean, why would you want harm to come to a people whose civilization can offer such inspiring imagination, beauty and energy? What’s the use of fear and separation?
At the World Championships, the champions just get out on that stage and throw down. They already know there’ll be a hundred dancers behind them that want the prize, and they already know that there’s someone out there who maybe worked the harder and wants it more, and in the end – it’s all up to a panel of judges. Thankfully, having a life of its own, sheer pageantry carries the day. Every dancer wants to look their best, and each wants to do their best, oh, and have the performance of a life time, this time (no pressure).
I knew we were in for a long day when Renee returned to us from the stage after her first round, and while receiving compliments for her performance announces that she has just “bored John Carey”. The 8 time World Champion, trainer of World Champions and now judge at her Worlds competition was apparently not exactly rapt with her hornpipe. So I guess it was about time for some drama to ensue, and I guess you’d better impress him with your reel then.
Cherisse and I really had no expectations as Renee had precious little preparation for this competition compared to her normal un-injured run from Oireachtas in November until Worlds just before Easter. However, with only 7 to 8 weeks available to train flat out after the knee injury, her competition had been out-preparing her with every passing day for over three months. We didn’t really know what she’d have in the tank on competition day. No matter, Renee was here to dance like the champion who’d earned her right, and she would not accept anything but her best and now she’d bored John Carey.
Her second round, the reel in soft shoes was magnificent as it usually is, and a style trademark she’s known for in the ranks, but in the last few measures, breathtakingly close astride the dancer on stage with her she was unable to perform her final spin. Though she landed her final step with customary aplomb, she had blown it. That’s what she said. “I blew it.” As often happens dancers will tangle on the stage in the course of their dances and the results can be disappointing because your flow is broken, steps are missed. Fortunately for Renee, it was right at the end of the dance and in a situation in which judges could conceivably give you a pass on a flub in which you weren’t necessarily at fault, which she wasn’t.
Nonetheless, with a boring hornpipe and a flubbed reel, the girls set their minds on a hasty exit. I set my mind on a painful wait for the recall numbers. Roughly two hours passed and finally the recall list was in hand and the numbers were called out to the waiting dancers and their supporters. My heart was pounding as usual as I waited for the numerical result in which two thirds of the field was summarily eliminated — thank you, better luck next time.
The hush in the ballroom was punctuated by occasional outbursts as dancers received their recalls. The wait for Renee’s #181, being 81 numbers down the list was excruciating. Handfuls of dancers eliminated with each number called, and then “181”! Oh my God, she’s recalled, incredible, incredible! I rushed from the ballroom to find them. Round three would begin in just minutes.
Perhaps our fondest memory of this Worlds is Renee performing her set dance to “Vanishing Lake”, a contemporary set dance composition being played stage side on piano by its composer, Francis Ward, who had also been accompanying the dancers since 9 o’clock that morning. He played and Renee danced, and together I thought they were magic.
That Renee recalled and retained her World ranking is so much more than we could have hoped, Cherisse and I, but I learned something about these champions and that is, when you’ve worked hard enough to be at the top, you want to get to the top and so for some there was chagrin behind a gracious smile at the awards ceremony. This may have been their last chance, as it was for Renee, who accepted her medal with just a little disappointment as did many others on the awards stage with her.
Although competitions were over for her, Renee decided to attend her regular Sunday dance class and she found out that A. she can still dance those steps, though not without raising a few blisters; B. her feet and legs felt so much lighter without the weight of the dread of having to compete the new steps. So much lighter did they feel that she was actually enjoying the new dances for a change. And that, ladies and gentlemen, concludes the story of how one little girl got happy feet.
Thanks to those who have faithfully followed and read the feisfunder blog. It’s been fun to write and reflect on a truly unique opportunity to engage with the fascinating and vibrant world of Irish Dance. As I’ve said, I never would have dreamt it, nor the future in Irish dancing that lies ahead for a young aspiring performer with her whole career now ahead of her. Perhaps there will be a subsequent reporting of the exploits of a young up and coming Irish dancer looking to conquer the world on the professional stage.
Keeping you posted, as always, and many thanks for your support.
Jim